Adams, J. L. & Yates, W. (2010). Grotesque in Art & Literature. (A. Rasti, Trans.). Tehran: Nashr- e- Ghatreh Press.
Ansari, Sh. & Sharbatdar, K. (2012). The Grotesque and Story Literature (The Study of Concept of Grotesque & the Investigation of its Examples in Shahrayr Mandanipour’s Short Stories). Contemporary Persian Literature. Vol. 2, No. 2, PP. 105-121.
Barfar, M. (2010). The magic mirror of imagination. Tehran: Amirkabir Press.
Critchley, S. (2005). On Humor. (S. Sommi, Trans.). Tehran: Qoqnoos Press.
Davodimoghadam, F. (2012). Grotesque in Attar’s Stories of the Mad. History of Literature. Vol. 4, No. 3/71, PP. 53-75.
Horri, A. (2011). A Study of ‘Adjā’ibnāmeh as a Fantastic Writing with a look at ‘Adjā’ib-e hend. Literary Criticism. Vol. 4, No. 15, PP. 138-164.
Irwin, R. (2006). The Arabian Nights: A companion. (F. Badrehe’i, Trans.). Tehran: Farzan- e -Ruz Press.
Javer, S. & Alizadeh, N. (2018). The Study of Grotesque Elements as Presented in Shiva Arastouei’s Novel “Fear” (Based on The Ideas of Mikhail Bakhtin, Philip Thomson and Wolfgang Kaiser). Journal of Persian language & Literature (Tabriz University). Vol. 71, No. 237, PP. 37-57.
Kahnamoui Pour, J. & Khattat, N. et al. (2002). Descriptive Dictionary of Literary Criticism (French-Persian). Tehran: University of Tehran Press.
Kearney, R. (2005). On Stories. (S. Sommi, Trans.). Tehran: Qoqnoos Press.
Knowles, R. (2012). Shakespeare and Carnival: After Bakhtin. (R. Pourazar, Trans.). Tehran: Hermes Press.
Makaryk, I. R. (2011). Encyclopedia of Contemporary Literary Theory. (M. Mohajer, M. Nabavi, Trans.). Tehran: Agah Press.
Merchant, M. W. (1998). The Comedy. (F. Mohajer, Trans.). Tehran: Nashr- e- Markaz Press.
Mohammadi Fesharaki, M. & Hashemizadeh, R. (2017). Grotesque Elements in “Mohammad Shirzad” Stories in Eskandarnameh. Culture and Folk Literature. Vol. 5, No. 72, PP. 139-164.
Mohandesdpour, F. (2011). Femininity and Narration in One Thousand and One Nights. Tehran: Nashr- e- Ney Press.
Naamvar Motlagh, B. (2008). Bakhtin, Dialogism and Polyphony: A Study on Pre-intertextuality. Research Journal of Humanities (Shahid Beheshti University). No. 57, PP. 397-414.
Noohi, N. (2018). A look at Narrative Devices of Embedded Tale in One Thousand and One Nights. Journal of Prose Studies in Persian Literature. Vol. 21, No, 43, PP. 177-197.
One Thousand and one Nights. (2010). (A. Tasuji, Trans.). Tehran: Elham Press.
Pinault, D. (2010). Story-telling Techniques in The Arabian Nights. (F. Badrehe’i, Trans.). Tehran: Hermes Press.
Pirooz, G & Haghigi, M. (2014). Carnival Humorous and Its Reflection in Bahram Sadeghi’s Stories. Sociological Journal of Art and Literature. Vol. 6, No. 1, PP. 65-89
Sabzian, S. & Kazzazi, M.J. (2009). Dictionary of Theory & Literary Criticism (Vocabulary of Literature & Related Fields). Tehran: Morvarid Press.
Samini, N. (2007). The Book of Love and Magic: A Research on One Thousand and One Nights. Tehran: Nashr- e- Markaz Press.
Sattari, J. (1989). Shahrzad’s Charm: A Study on Hezar Afsan. Tehran: Tous Press.
Seidel, A. & Cocteau, J. et al. (2009). The World of One Thousand and One Nights. (J. Sattari, Trans.). Tehran: Nashr-e-Markaz Press.
Sharifi Valdan, G. & Zare Banadkooki, N. (2017). Grotesque Characters in Tadhkira Yakhchalieh. Journal of Literary Criticism and Rhetoric. Vol. 6, No. 2, PP. 131-148
Taslim Jahromi, F. & Talebian, Y. (2011). The Combination of Inconsistent Feelings in Satire or Humor on Persian Language (A Case Study: Parviz Shapoor’s Caricalamatures). Literary Arts. Vol. 3, No. 1, PP. 1-20
Thomson, P. (2011). The Grotesque. (F. Taheri, Trans.). Tehran: Nashr- e- Markaz Press.
References [In English]:
Christos, Angelis. (2017).
Time is Everything with Him: The Concept of the Eternal Now in Nineteenth - Century Gothic. Finland: Tampere University Press. Available from:
https://trepo.tuni.fi/
Steig, Michael. (1970). Defining the Grotesque: An Attempt at Synthesis.
The Journal of Aesthetics and Art Criticism. Vol. 29, No.2, P.P. 253-266. Available from:
https://www.jstor.org.